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麥肯錫2026時尚報告解讀：二手市場崛起與珠寶品類的逆襲
大家好，我是子健。最近我仔細閱讀了麥肯錫發布的《2026年時尚產業現況報告》（State of Fashion 2026），當中有幾個非常值得我們亞洲奢侈品從業者深思的趨勢。 首先，最引人注目的無疑是二手奢侈品市場的轉型。過去，許多頂級品牌對二手市場抱持懷疑態度，擔心會稀釋品牌價值或引發真偽問題。但現在情況已經完全改變。二手市場不再只是尋找折扣的渠道，它更成為了消費者尋求「獨特性」的尋寶地。隨著AI技術大幅降低了鑑定成本並提高了準確性，我們看到越來越多品牌開始主動思考如何與二手平台合作。 其次，消費者的價值觀正在發生根本性的轉變。報告指出，消費者尋求的「價值」不再等同於「便宜」，而是要求品牌證明「物有所值」。同時，珠寶品類的預期年增長率超過4%，是服裝的四倍。消費者甚至開始用高級珠寶來替代成衣和手袋的消費。 此外，AI技術正在全面重塑時尚產業的價值鏈。從創意設計、需求預測到市場營銷，AI的應用已經無處不在。 2026年對許多品牌來說是戰略重置的一年。面對行業利潤高度集中（前20大公司創造了92%的經濟利潤）的現狀，無論是品牌方還是零售商，都需要重新審視自己的定位。
手袋如何成為藝術拍賣市場的最佳入門磚？Christie's與Sotheby's最新數據解析
近年來，奢侈品收藏部門在頂級拍賣行中正經歷著前所未有的爆發性增長。根據最新數據顯示，Christie's 的奢侈品拍賣額達到了 7.95 億美元，按年增長 17%；而 Sotheby's 的奢侈品板塊更是創造了 27 億美元的驚人成績，按年增長 22%。 作為亞洲奢侈品協會（ALA）的會長，我一直密切關注著這個市場的演變。最令我感到振奮的數據是，高達 41% 的新買家是透過奢侈品拍賣首次進入 Christie's 的大門，其中手袋部門更是貢獻了約 12% 的新客戶。更值得注意的是，2025 年的參與者中有 44% 是千禧一代和 Z 世代，這群年輕藏家正以高達 85% 的線上競標率，徹底改變著傳統拍賣市場的生態。 在即將舉行的「Handbags Online:...
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